Since these dopes were all Commie Pinkos, sleeping with others spouses shouldn't have mattered a bit. Frida was part of the collective after all.

Wonder if Leon offered to get her eyebrow separated?

Quite interesting, Rev. Thank you for adding this. I also agree with Frank when he said, Since these dopes were all Commie Pinkos, sleeping with others spouses shouldn't have mattered a bit. To these people normal standards of morality are "bourgeoisie" values and they are above all that.

Couple of other things of interest:

(1) Trotsky wrote a biography of Stalin which can be found here: http://www.marxists.org/archive/trotsky/1940/xx/stalin/

(2) I once read a report that one of the reasons Trotsky was murdered by Stalin was not just the rivalry that existed between the two but that Trotsky had agreed to testify before our Congress on the Soviet Union's espionage activities in the United States. Given that Trotsky was killed in 1940, a time when Americans were complacent about Communism and the New Deal was totally infiltrated by Soviet agents, this claim may be dubious, so I wonder if anyone else has heard of it and has proof of its truth.

Frida (2002)

After being attached to a number of actors, directors, and producers, this long-gestating biography of one of Mexico's most prominent, iconoclastic painters reaches the screen under the guiding hand of producer/star Salma Hayek. Hayek ages some 30 years onscreen as she charts Frida Kahlo's life from feisty schoolgirl to Diego Rivera protégée to world-renowned artist in her own right. Frida details Kahlo's affluent upbringing in Mexico City, and her nurturing relationship with her traditional mother (Patricia Reyes Spindola) and philosophical father (Roger Rees). Having already suffered the crippling effects of polio, Kahlo sustains further injuries when a city bus accident nearly ends her life. But in her bed-ridden state, the young artist produces dozens upon dozens of pieces; when she recovers, she presents them to the legendary -- and legendarily temperamental -- Rivera (Alfred Molina), who takes her under his wing as an artist, a political revolutionary, and, inevitably, a lover. But their relationship is fraught with trouble, as the philandering Rivera traverses the globe painting murals, and Kahlo languishes in obscurity, longing to make her mark on her own. Frida was directed by Julie Taymor, whose Broadway production of The Lion King won her international acclaim.

Never saw this, of course. Has anyone on here? I suspect it was a propaganda piece, a feminist rant that did not touch upon Frida or Rivera's Marxism, or her promiscuity (his, yeah). Typical Hollywood bs? Anyone know?

Doesn't sound very secret.