‘Adios, America’ June 16, 2015 by Daniel Greenfield
Most bad policies are bipartisan. Democrats come up with them and Republicans sheepishly implement them. Amnesty is one of the few bad policies that Republicans desperately try to claim as their own.
Amnesty is a sinkhole of corrupt interests, from businesses looking for cheap labor to Democrats looking for cheap votes, and panic by fossilized political entities like the NAACP, unions and the Republican Party; eager to surrender out of fear that they will be be left behind by the demographic future.
Those who oppose amnesty tend not to be heard. They are the homeowners watching dangerous men who have crossed the border glower through their windows. They are the black teenagers who can’t even get a fast food entry level job because the illegals are cheaper and more compliant. They are the legal immigrants who left places like El Salvador behind only to find its gang members in their back yard.
And then there are courageous voices like Victor Davis Hanson, Mark Krikorian and, of course, Ann Coulter, who speak for them.
Coulter’s latest book, “Adios, America” is an uncompromising attack on the policies, justifications and rhetoric of amnesty. It’s full of the punchy quotes she’s known for, such as “Americans ought to be suspicious about being told incessantly fences don’t work. It’s like being told wheels don’t work”, accompanied by a broad survey of the entire immigration and illegal immigration debate.
The biggest targets are the latest efforts at amnesty, from the disastrous Republican amnesty effort to Obama’s unilateral legalizations, which have been disguised by Orwellian word games. After years of amnestiers claiming that their amnesty isn’t really amnesty, she lays out the simple fact that “Any law that forgives an illegal act, in whole or part, is an amnesty.”
The refusal to use the A-word is a sign of nervousness about public support for amnesty and Coulter targets the assorted polls that claim that the public supports it for being dishonest and misleading.
Going back in time, “Adios, America” takes a look at Ted Kennedy’s Third World immigration push and the Clinton voter mill. It argues that traditionally American voters have been displaced by tribal cultures that are uninterested and unwilling to adapt to life in this country with the inevitable accompanying costs for social services and the criminal justice system created by their ongoing presence.